Every frame tells you the lives of old people are not dark and bleak. There’s nothing dark and shadowy in the direction or the look of the film. In the Colorado sunshine, the colors are vivid and bright. We need more stories like Our Souls at Night that explore the lives of ordinary elders in truthful and realistic ways. If you’re lucky enough to be alive, you turn into an old person with every day you live. It’s wonderful to see people my age on the screen and not have the elders be jokes or punch lines. It’s wonderful to see people my age on the screen and not have the story be about dementia or dying. The days were like nights, and the nights left the dregs of their darkness in our souls. They have joys and sorrows, they cherish human contact, and they can love mightily. The big deal is these two older humans are as vital and alive as anyone of any age. Whether the joints are getting creaky isn’t the issue. Maybe there were three strong men hidden behind the camera who helped them up and down for these scenes – I would need that. I was impressed to see them sitting on the floor with Jamie or sleeping on the ground in a tent. I’m at the same stage in life as Fonda and Redford. Watching Fonda and Redford inch toward each other is the chief attraction. They find a way to connect their souls at night. But they find a way to make it work, despite what life throws at them. What do you think propelled her to do it When Louis comes over for the first time, he knocks on her back door in the name of discretion. It isn’t the ending I wanted, with Addie and Louis sharing a peaceful domestic life together. It takes a considerable amount of courage for a woman of Addie's generation to invite a man she hardly knows to sleep in her bed. And, they continue to share a bed.Īddie and Louis head to Denver for a weekend in a nice hotel.
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Louis teaches Jamie how to throw a baseball. Louis lets him play with an old electric train. Having Addie’s grandson Jamie (Iain Armitage) around brings Addie and Louis even closer. Gene’s wife left them and he’s lost his business, so Grandma must step up while he pulls it together. Addie’s son Gene (Matthias Schoenaerts) comes by and leaves his son behind. Louis’ daughter Holly (Judy Greer) pays a visit. They decide they might as well go public and head out for Sunday lunch so everyone can get a good look at them together.Īs parents, both of them have damaged children. Addie’s friend Ruth (Phyllis Somerville) knows all about it before Addie tells her.
Louis’ coffee buddies at the cafe, lead by an obnoxious Dorlan (Bruce Dern), tease him in stupid ways. They talk about their regrets, their failures, their joys, their sorrows.Įveryone in their small Colorado town knows Louis is walking over to Addie’s house every night. They don’t touch or cuddle, they sleep side by side. He thinks about it – nothing happens fast at their age – and a couple of nights later they begin sleeping together.įor weeks that’s all they do: sleep. That changes the night Addie knocks on Louis’ door and tells him she can’t sleep. Louis Waters (Redford) and Addie Moore (Fonda) know the externals of each other lives. Our Souls at Night stars Jane Fonda and Robert Redford in a quiet story about a pair of elders who have been neighbors for years.
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